When it was announced that Netflix would add a version of the musical of ‘Matilda’, Roal Dahl’s novel that was already made into a film by Danny De Vito, Broadway fans were to its catalogue. With lyrics and music by Australian comedian . Tim Minchin, the musical has been a success in New York (and Madrid), therefore, an adaptation was not a surprise . However, the streaming giant’s decision to release the film in theaters in the . United Kingdom and British catalog until next summer. Along the way, the film will be in theaters by Sony, which will also be responsible for a first release in video on demand and physical format. Matilda, by Roald Dahl: The Musical (IN SPANISH) | Official trailer .
THE PROBLEM OF INCOME
Netflix With rumors that other films from the company could reach theaters, and the failures to generate interest for films as discussed as ‘Blonde’ by Andrew Telegram Database Dominik, the theatrical release of ‘Matilda’ is good proof of what a film can achieve. Netflix film with a decent exclusivity window in theaters. It would be a new form of income for the company that continues to bleed users and is considering subscriptions with commercials and serious limitations. by Taboolayou may like . The photo of Letizia, affectionate with her lover Jaime del Burgo behind Felipe’s back One of the great difficulties of . Netflix, or at least of its production house, is to really calculate the profit generated by its investments in cinema. It’s hard to know if the $200 million the company invested in Martin Scorsese’s . The Irishman’ or the $75 million in Adam McKay’s ‘Don’t Look Up’ brought new subscribers to the company .
CINEMAS ALSO NEED RELEASES
To that we can add that they have not been able to win the Oscar for best film, also losing in 2022 against ‘Coda’ with a film distributed by Apple+. It would make sense, therefore, to think that, if the numbers for ‘Matilda’ in the . United Kingdom are positive, it could be an option ASB Directory for the company in its next projects. It would be normal for them to have their doubts with the premiere of Rian Johnsson’s . Glass Onion’, which they hope will become a franchise around . Daniel Craig’s Benoit Blanc, or Noah Baumbach’s ‘Background Noise’ with which they hope to compete in the awards season. It is of course speculation. But the truth is that movie theaters have already shown a willingness to reduce the exclusivity window to just over a month, although it would keep them far from the requirement of countries like .
